Reading 3

Authentic Primitive Art

Errington’s article discusses the category of art that is known as Primitive art. There is much discussed about what categorizes primitive art, how it is recognized and how it is becoming increasingly popular today. I found the discussion of framing to be fascinating. The concept that something becomes “art” as soon as it is boxed in, surrounded and presented with some sort of frame. Something that is known to be real life becomes only a representation of reality when it is framed. Whether the frame is a stage or black box theater, pedestal or actual wooden border, this frame creates a separation from the viewer and what object or fine art is being displayed.

I wonder how much different an experience at a museum would be if all the art on display was not presented in such a formal and framed way. Would the respect for the pieces on display be the same and would they ‘wow’ us as much as they do when they are lit, raised up and surrounded by magnificent boarders?

I found the discussion of prototypes to be very interesting. We create prototypes all the time and when we do we have a certain, specific image in mind. The example of the robin being the prototype of a bird was something that I had not heard before. The prototype of High Primitive Art did not have to be a piece that inspired such famous artists such as Picasso but it did have to look like it could have. There was no need for proof but the image and look of it had to be something that he might have considered inspirational.

In the end of the article Errington says, “ People are beginning to realize that primitive art can look just as sophisticated as ones in sterling silver.” This art form is respected not only for it’s history, untouched cultural affiliation but also its exotic form draws collectors and viewers to it as it becomes more and more popular.